If there is one thing I’ve learned over my many years working with screenwriters, it is this: When it comes to making or breaking your screenwriting career, your body of work can make all the difference. Before we go into the “why,” let’s address the “what”: What should a screenwriter’s… read more →
Part 1: Contests & Representation Let’s agree on one thing: When it comes to the film and television industry, everything is possible. Over my many years working with screenwriters in the industry, I’ve seen it all. I’ve seen an older gentleman become a staff writer for the very first time,… read more →
A writer calls me the other day: “So I wanted to get notes on my script. How much do you charge for that?” Me: “I’m a career consultant. I’m not a reader or – for that matter – a script consultant. Did you find me through my website?” Writer: “Ahhhh…… read more →
If you’ve yet to hear the name JEFF PORTNOY… Seriously? Where have you been? Not only did Tracking Board’s 2016 Spec Book name him the top manager when it comes to setting up feature specs (getting 13 specs to market, and setting up an unparalleled 6 this past year), but… read more →
What are some things that screenwriters should never say about their screenwriting? Explore screenwriting best practices in my SAY WHAT? Blog posts.
Let’s face it: We all say things we shouldn’t. We don’t mean to – and most of us come to regret it later – but things don’t always come out of our mouths the way that we intended. I am just as vulnerable to this as anyone else: When I… read more →
I am a sucker for advice. Any advice. I collect it like kids used to collect stamps (or like today they collect Shopkins or Pokemon cards), catalogue it, organize it, put it away for safe keeping only to pull it out again at just the right time, should it ever… read more →
Misconceptions about what it takes to become a working screenwriter, e.g. what is required in order to attract the right sort of industry attention, and where your time and resources are best spent, are everywhere. Is it all about the writing? Or all about relationships? Do you have to have… read more →
Every new writer seeking to break into television writing hears, sooner or later, about the freelance, that one episode in a seasonal television order assigned to a writer not currently on the show’s writing staff, and for which said writer is credited, earning not only a handsome script fee, but… read more →
When I interviewed Jewerl Ross, renowned literary manager (who is these days celebrating the immense success of his longtime client, MOONLIGHT writer/director Barry Jenkins), for my upcoming book, BREAKING IN: TALES FROM THE SCREENWRITING TRENCHES, he told me of the screenplays he reads and the content he sees: “If it’s… read more →
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