For many writers who come to screenwriting or TV writing as a second career or not right out of collage, the age factor can be a huge concern. In my latest blogpost, I break down when it will, and won’t, be a factor.
When trying to get your TV pilot or feature screenplay out there, the length and look of your material could mean the difference between getting read or being set aside in favor of another, more esthetic screenplay.
How quickly should you aim to write your screenplay or TV pilot? And when you’re just starting out, should you aim to push your velocity? The answers might surprise you!
In the latest installment of the Pearls of Wisdom from Working Writers series, pro scribes share lessons learned along their screenwriting journey, from writing approach to business advice.
The industry’s top literary agents and managers share their advice for breaking into screenwriting or TV writing
What should you consider when deciding on your next original screenplay or TV pilot? Should you write to the trends, for what you think execs want to read, or should you write from your passion?
How do you pick which project to write next? Is it a strategic decision, or a purely creative one? Working writers weigh in on how they choose their next original project, be it screenplay or a TV pilot.
When it takes longer to break in then you had hoped, how do you keep motivated for fighting for the career that you want?
Everyone wants to get an agent, get a manager, get staffed on a TV show or get a feature writing assignment. But for those lucky enough to begin, that’s when the hard work really begins.
A few bad eggs have garnered screenwriters a bum rap! What can you do to combat perception of screenwriters being crazy?