Do screenwriters need, or should they have, business cards? I’ve been asked this question year after year, and in the latest installment of This Week in Coaching I finally break it down!
In the latest installment of This Week in Coaching, I dig into whether a new writer should seek to attract a young-and-hungry or well-established manager.
There are a number of great reasons to join a writer’s group! In this installment of This Week In Coaching, I take deep dive into why they are so important.
Turns out the screenwriting and TV writing classes aren’t just for new writers. All too often, my working writers flock to them whenever time allows.
Everyone hopes that, sooner or later, a screenwriting opportunity will knock. But when? And where? No one knows. Which is exactly why you have to be prepared.
When someone tells you to slow down your TV pilot, what do they actually mean? I decode the note in my latest installment of This Week in Coaching.
In the construction of your body of work, should you focus on developing new pilots and screenplays, or going back and rewriting old screenplays and pilots until they are their best?
This week in coaching, my client Kim, just named to The Black List/Women In Film Episodic Lab, got a crash coach on strategy when going for getting into a TV writer’s room for the first time.
In this week’s installment of The Week In Coaching, I share how my writers prepped for their TV writing fellowship interviews.