As COVID-19 disrupts businesses across America, how is it effecting screenwriters, and writing in the industry by extension? I break it down in a close look at what I’m reading and hearing from the front lines…
In the latest installment of This Week in Coaching, I break down how COVID-19 is affecting the industry and screenwriters/TV writers in particular, especially in the face of an already impacted staffing season…
After having three conversations in one coaching day in which writers told me they felt like a fraud and a fake, I was reminded just how many writers are there suffer from imposter syndrome. Are you one of them?
Regardless of the looming deadline and the going-going-gone! nature of it all, when is your screenplay or TV pilot ACTUALLY ready to submit to screenwriting competitions?
Now that you decided to spec for the TV writing fellowships operated by studios and networks, how do you decide what to spec? Here’s what I’ve been telling my coaching clients this past week!
While out at manager meetings with my Final Draft Big Break Contest winners, there was one thing that manager after manager told me they’re looking for their writers to be. Check out this blog post to find out what that is!
For many writers it’s often hard to get notes on their work, especially when they think their screenplay or pilot is almost ready. But sometimes, it’s just as hard to give them…
If you’re looking to get, learn about or switch representation NOW, check out my latest blogpost, which includes what I and my clients are hearing from representation’s front lines!
Do screenwriters need, or should they have, business cards? I’ve been asked this question year after year, and in the latest installment of This Week in Coaching I finally break it down!
In the latest installment of This Week in Coaching, I dig into whether a new writer should seek to attract a young-and-hungry or well-established manager.