Winning or placing in a screenwriting competition can become a career milestone for many an emerging screenwriter or TV writer. But are all screenwriting competitions, and all competition placements equal?
In order to be a screenwriter, do you have to love the writing, or is being compelled to do it enough? In my latest blog post, dive into the 5 reasons many talented, hard-working writers don’t always love the actual creative process.
Warning: This blog post, which lists some of the hard truths about building a screenwriting career that every serious screenwriter should confront, is not for the faint of heart…
If I, seasoned screenwriting career coach, was to write a want-ad for the ideal screenwriting client, one who has what it takes to go from emerging to professional, what would it include?
When writing your screenplay, it’s as important to know which mistakes to avoid, as it is to understand the craft. Check out insights from top industry experts about which critical screenwriting mistakes you don’t want to make in your screenplay or pilot.
Every writer starting a new project comes to the computer bursting with ideas, characters, worlds he is interested in and themes to explore. There is nothing but promise – only potential for the great script the writer can write. While a particular concept’s potential may vary (often wildly), there is… read more →
I am a sucker for advice. Any advice. I collect it like kids used to collect stamps (or like today they collect Shopkins or Pokemon cards), catalogue it, organize it, put it away for safe keeping only to pull it out again at just the right time, should it ever… read more →
Every new writer seeking to break into television writing hears, sooner or later, about the freelance, that one episode in a seasonal television order assigned to a writer not currently on the show’s writing staff, and for which said writer is credited, earning not only a handsome script fee, but… read more →
When I interviewed Jewerl Ross, renowned literary manager (who is these days celebrating the immense success of his longtime client, MOONLIGHT writer/director Barry Jenkins), for my upcoming book, BREAKING IN: TALES FROM THE SCREENWRITING TRENCHES, he told me of the screenplays he reads and the content he sees: “If it’s… read more →
Melissa London Hilfers is a powerhouse, and not just because she just sold her second feature spec, UNFIT, to Amazon studios for mid-six-figures with some high profile potential attachments three days after the script went out to market. I realized that this woman might just have what it takes to… read more →