For many writers it’s often hard to get notes on their work, especially when they think their screenplay or pilot is almost ready. But sometimes, it’s just as hard to give them…
If you’re looking to get, learn about or switch representation NOW, check out my latest blogpost, which includes what I and my clients are hearing from representation’s front lines!
Do screenwriters need, or should they have, business cards? I’ve been asked this question year after year, and in the latest installment of This Week in Coaching I finally break it down!
In the latest installment of This Week in Coaching, I dig into whether a new writer should seek to attract a young-and-hungry or well-established manager.
There are a number of great reasons to join a writer’s group! In this installment of This Week In Coaching, I take deep dive into why they are so important.
Turns out the screenwriting and TV writing classes aren’t just for new writers. All too often, my working writers flock to them whenever time allows.
Everyone hopes that, sooner or later, a screenwriting opportunity will knock. But when? And where? No one knows. Which is exactly why you have to be prepared.
When someone tells you to slow down your TV pilot, what do they actually mean? I decode the note in my latest installment of This Week in Coaching.
In the construction of your body of work, should you focus on developing new pilots and screenplays, or going back and rewriting old screenplays and pilots until they are their best?