If you’re looking for screenwriting-focused advice, be it for your craft or your career, there is no shortage of content out there: Books. Videos. Conferences. Events. And blogposts, just like this one. Plenty to sift through and consider as you determine your next screenwriting steps, as you zero in on… read more →
Here is something that came up in Screenwriters Support Group and with one of my coaching clients a couple of weeks ago: If you’re writing all the time, taking classes, working on your craft, getting notes, doing all those things they tell you to do to improve your craft… what… read more →
One of the privileges of my job has been the many lessons learned from my writers as I continue escorting them on their writing journeys…
Most writers are eager to get to pages, dig in to scenes and characters as they would unfold on the screen. But in order to write a successful screenplay or TV pilot every time, it’s important to take the time, do the pre-work and create a sound and solid project foundation.
In order to be a screenwriter, do you have to love the writing, or is being compelled to do it enough? In my latest blog post, dive into the 5 reasons many talented, hard-working writers don’t always love the actual creative process.
The length of your screenplay or TV pilot matters in more ways than one: Not only does it say a lot about you as a writer, it can also dictate your works’ priority for the person reading it…
How do you push your writing to the next level? Some of the most sought-after screenwriting experts in the industry today weigh in on how to become the great writer everyone is looking to work with!
If you want to become a working screenwriter, or sustain a screenwriting career, not writing is just not an option. Learn how to create meaningful writing routines and build up those all important hours that will lead to the mastery of craft.
When writing your screenplay, it’s as important to know which mistakes to avoid, as it is to understand the craft. Check out insights from top industry experts about which critical screenwriting mistakes you don’t want to make in your screenplay or pilot.
Over my many years working with and mentoring writers I’ve had just about everything said to me. But what are some of the things you should never say if a good impression is what you’re trying to make?