The length of your screenplay or TV pilot matters in more ways than one: Not only does it say a lot about you as a writer, it can also dictate your works’ priority for the person reading it…
Warning: This blog post, which lists some of the hard truths about building a screenwriting career that every serious screenwriter should confront, is not for the faint of heart…
Sure, to build a screenwriting career you have to be great on the page. But in todays competitive industry climate, you have to be able to speak about the experiences that defined and informed you. You are a storyteller. Your first story is your own.
How do you push your writing to the next level? Some of the most sought-after screenwriting experts in the industry today weigh in on how to become the great writer everyone is looking to work with!
If I, seasoned screenwriting career coach, was to write a want-ad for the ideal screenwriting client, one who has what it takes to go from emerging to professional, what would it include?
Screenwriters in search of representation have been utilizing query letters for years. But do they actually work? Get the lowdown on who and how to query, tips for writing a killer query and insights from managers on the receiving end in my latest BREAKING IN blogpost.
If you want to become a working screenwriter, or sustain a screenwriting career, not writing is just not an option. Learn how to create meaningful writing routines and build up those all important hours that will lead to the mastery of craft.
No one wants to hear that their screenplay or television pilot is boring, or forgettable, or just plain Meh. But in today’s industry climate, there is one thing that is even worse.
You hear it every day: Everyone in the industry is looking for a great screenplay. Good is just not good enough. They – agents, managers, showrunners, executives and producers – want to be transformed, surprised, excited and taken on an unexpected journey. Over the years, with the abundance of screenwriting… read more →
Over my many years working with and mentoring writers I’ve had just about everything said to me. But what are some of the things you should never say if a good impression is what you’re trying to make?