Regardless of the looming deadline and the going-going-gone! nature of it all, when is your screenplay or TV pilot ACTUALLY ready to submit to screenwriting competitions?
Love it or hate it, outlining is a skill that every writer looking to work in the professional space has to have. In my latest blogpost, I break down the various situations in which it is going to be required.
Now that you decided to spec for the TV writing fellowships operated by studios and networks, how do you decide what to spec? Here’s what I’ve been telling my coaching clients this past week!
With more TV writing fellowships requiring original pilots instead f spec TV episodes, should you still spec for those TV writing programs that require them, or bypass those altogether and focus only on your original content?
Let’s face it: building a screenwriting career usually takes more time than anyone wants it to. In order for it to not take longer than it has to, make sure you have a smart, focused career plan in place.
You did your work. You wrote that screenplay or TV pilot that you think could be really exciting. But how do you know when your screenplay is ready for industry eyes? Here are 5 tried-and-true ways to vet your work before you get it out there.
Many writers making their income in the feature writing space today do so by writing pages, i.e. landing writing assignments with studios and production companies. But where, and how, do you get those? I break it down in my latest blogpost.
While out at manager meetings with my Final Draft Big Break Contest winners, there was one thing that manager after manager told me they’re looking for their writers to be. Check out this blog post to find out what that is!
Having a solid writing routine that generates great screenplays and TV pilots on the regular is not as easy as it sounds. Check out these productivity hacks t get your writing year off to a great start!
Recent Comments