Over my many years working with and mentoring writers I’ve had just about everything said to me. But what are some of the things you should never say if a good impression is what you’re trying to make?
Most new writers come to the industry seeking an agent who will help introduce them and their work to film and television professionals. But today, are agents still on the forefront of talent discovery? And, if so, how do you get their attention?
There is a truth that every writer must contend with: Everyone loves an L.A.-based screenwriter. Hell, some agents and managers have gone on the record saying that they won’t sign a new writer unless he or she lives in Los Angeles. I, too, have come to know that nine times out of ten, my L.A. writers will be more consistent.
It takes a village (agents, managers, executives, and endless advocates) to help a screenwriter build a screenwriting career. Staying humble and appreciative is key to making those relationships lasting and productive, and inspiring others to work hard for you.
We hear it often: As a writer, you have to grab them in the first 5, 7, 10 pages. But how do you really stand out in the first 10 pages of your screenplay or teleplay? The industry’s top experts weigh in.
Bob Dearden went from Canadian tree planter to film school in Texas, to a position as Rob Thomas’s assistant, to writing the coveted freelance episode, to becoming a staff writer on iZombie. Here is how he did it.
Often times, agents, managers, producers and executives pass on a screenplay or TV pilot script with one simple line: “I didn’t connect with the material.” But what do they mean when they say that?
For many screenwriters either trying to break into the industry or make their way up the ranks, rejection is just part of the game. In fact, I tell new writers that come to work with me who have yet to make serious inroads in the industry that it’s their job… read more →
For screenwriters working in the entertainment industry, outlining is key when it comes to delivering a great screenplay, television pilot, or episode of TV. Learn how to write a comprehensive screenplay outlines from some of the top screenwriting experts in the industry.
I don’t know what it is about the holidays, but every year, right around this time, I get an onslaught of emails, usually from writers I’ve never met, often ones living outside of Los Angeles, and all of which, in one way or another, say this: I wrote a spec… read more →