When writing your screenplay, it’s as important to know which mistakes to avoid, as it is to understand the craft. Check out insights from top industry experts about which critical screenwriting mistakes you don’t want to make in your screenplay or pilot.
No one wants to hear that their screenplay or television pilot is boring, or forgettable, or just plain Meh. But in today’s industry climate, there is one thing that is even worse.
Everyone wants to get a manager, but how do you attract their attention? Check out my useful guide for getting a screenwriting manager, including quotes from top managers and a slew of resources!
You hear it every day: Everyone in the industry is looking for a great screenplay. Good is just not good enough. They – agents, managers, showrunners, executives and producers – want to be transformed, surprised, excited and taken on an unexpected journey. Over the years, with the abundance of screenwriting… read more →
Over my many years working with and mentoring writers I’ve had just about everything said to me. But what are some of the things you should never say if a good impression is what you’re trying to make?
Most new writers come to the industry seeking an agent who will help introduce them and their work to film and television professionals. But today, are agents still on the forefront of talent discovery? And, if so, how do you get their attention?
There is a truth that every writer must contend with: Everyone loves an L.A.-based screenwriter. Hell, some agents and managers have gone on the record saying that they won’t sign a new writer unless he or she lives in Los Angeles. I, too, have come to know that nine times out of ten, my L.A. writers will be more consistent.
It takes a village (agents, managers, executives, and endless advocates) to help a screenwriter build a screenwriting career. Staying humble and appreciative is key to making those relationships lasting and productive, and inspiring others to work hard for you.
We hear it often: As a writer, you have to grab them in the first 5, 7, 10 pages. But how do you really stand out in the first 10 pages of your screenplay or teleplay? The industry’s top experts weigh in.
Bob Dearden went from Canadian tree planter to film school in Texas, to a position as Rob Thomas’s assistant, to writing the coveted freelance episode, to becoming a staff writer on iZombie. Here is how he did it.